Ive talked to a lot of people who really enjoy the book-series Twilight. Some of them I actually respect, and as such I was inclined to, against my better judgment, read the first book in the series.
Let me say this first: it wasnt the worst vampire novel Ive read, not by a LONG shot. However, it certainly wasnt the best. Ill tell you why.
First, theres the vampire portion. Ive always found the thing that makes vampire novels compelling is the dichotomy they represent; that of human versus animal. We all find this dichotomy within ourselves, to some extent, when faced with issues of lust versus propriety, wrath versus civility, freedom versus responsibility and gluttony versus moderation. By emphasizing and exaggerating these basic human struggles, vampires are a metaphor for our own internal conflicts.
Twilight barely touches on these. Sure, there are vampires who go the animal route, but for those who choose the human route there hardly even seems to be a struggle. They get phenomenal superhuman powers at the cost of occasional peckishness. The blessings and the curse are held separate from one another, when they should be different aspects of the same condition.
The same simplicity exists in the romantic aspect of the book. For starters, the protagonist and her love-interest (who for a corpse, has remarkably little personality) feel nearly instant unconditional love. The problem is, thats not how it works. That kind of love exists fairly exclusively within the parent-child relationship.
Now, it occurred to me that this kind of thing also happens in Romeo & Juliet, one of my favorite pieces of literature ever. However, in thinking about it I realized the significant differences:
1. Twilights author, Stephanie Someone, is not Emilia Lanier. Her writing is competent, but not scintillating. There was no point in the book that I felt excited by, or envious of the characters as one does when reading or watching Romeo & Juliet.
2. In Twilight, the characters seem resentful of their love. They act like theyre shackled to someone they dont actually like (which I could readily understand, given their personalities). And unlike in Shakespeares play, in which the characters love has genuine negative implications, there doesnt seem to be any reason
you know, other than the fact that the characters themselves are unlikable. They make excuses, such as the greasy vampire claiming that his presence is dangerous to the airhead teenybopper, but it seems like having a rabidly protective invincible psychic bodyguard would be less dangerous than not in virtually any scenario. It seems more like hes just not that into her and wants to let her down easy.
Compare that to Romeo, who, unlike Edward, seems to genuinely enjoy his girlfriends company.
3. Some of the best writing advice I ever got apparently never got imparted to Twilights author:
Show, dont tell.
Romeo/Juliet and Edward/
was it Bella? Anyway, both couples confess their unconditional love for each other. Edward and Bella express this by repeatedly saying it.
Romeo and Juliet express this by defying their families, their government, and their god to be together, ultimately downing a vial of poison each and stabbing themselves and others repeatedly to do so. This also applies to the vampirism thing; The author tells us that being a vampire isnt fun, and gives us some half-assed reasons why not, but these reasons never seem to prevent the vampires in the book from having anything but an endless summer of fun.
4: Bonus reason. Twilight needs to skip the pretense. Teenagers dont date each other because theyre soul mates. They date because theyre horny teenagers. In Romeo & Juliet, this is fully acknowledged (though if I met a hot girl at a party who could speak in couplets of iambic pentameter Id probably want to marry her too). Friar Lawrence, who is possibly the coolest person ever, is under no illusions about the fact that those two basically just want to get in each others pants, and obliges on the basis that it might stop people getting stabbed all the time as much (hes completely wrong, of course, but at least he tried).
But Dracula and Lucy keep going on and on about how theyre soulmates or some similar dross
look, Im not saying that physical attraction is the only thing that motivates teens, but I find it hard to believe that in their case its the stimulating conversation and mutually enlightening exchange of ideas. The girl wants to jump the vampires bones, and the vampire
well, apparently hes not actually that interested in sex, being way ancient. So what draws him to the human? Ostensibly its the fact that he can read minds, except hers, for some arbitrary reason, and the fact that he cant tell whats going on in her head makes her interesting. This would be an intriguing device, except that I can tell whats going on in her head, since Im reading it in a book, and I dont find her interesting. I know multiple flesh-and-blood not-fictional girls who dont have the benefit of an omniscient author planning their every move yet who are vastly more clever, insightful and pleasant to spend time with than her.
In fact, the only people I liked in the book were a small percentage of the minor characters; the protagonists father is mildly interesting in his hopelessness, a much better example of the consequences of obsessive love than his obsessive necrophile-wannabe daughter. The vampire has a kind of creepy extended family, among whom are a remarkably chipper clairvoyant who is the only one in the book to exhibit what could be approximated as intelligence and a huge hulking bruiser who has a refreshingly direct problem-solving style, i.e. hit it till it stops being a problem. Even as I write this, though, I realize that while these characters arent actually bad, the thing I like most about them is that they arent any of the other characters in the book
So the final word is, Twilight: On a character-empathy scale of Fountainhead to Cyrano De Bergerac, it actually rates below Fountainhead. Thats right: I actually would prefer to hang out with Howard Roark and Dominique Keating than Edward and Bella. On a quality-of-writing-style scale of Maximum Ride to Nation, it ranks well below Harry Potter but still far above Maximum Ride. On a vampire-novel scale of Dracula Meets Spider-Man to the actual Dracula
who am I kidding? This is not a vampire novel. This is a novel about magical superheroes who enjoy the occasional rare steak.
And on a romance-believability scale of Harry Potter to Much Ado About Nothing, again it does the impossible by exceeding the standard of awful set by my lowest benchmark.
You want to read an actually good teen romance book? Read Tithe, or Nation, or, hell, Romeo and Juliet. None of them are perfect, but theyre all a lot closer to it than Twilight, and you wont have to wash your clothes in bleach afterward to get rid of the smell of horny teenage angst.